Earthlings:
Mat Walker | Dreamspeaker
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This movie is acclaimed as “The Vegan Maker” for a reason. The movie touches upon five main areas that mankind uses animals: Pets, Food, Clothing, Entertainment, Science. Explaining the subject of speciesism and the devastating effects that using animals has on everyone on Earth and the Earth herself. Most people in our western society have no clue of what occurs behind closed doors to animals. Earthlings is here to help us make that connection, between what we are purchasing and what it really means. The images will haunt you, at least they did for me. It helped me make that push from vegetarianism to veganism. Joaquin Phoenix gives perhaps the best narration I have ever heard in a movie, evoking thought and invoking empathy; and the musical score by Moby is perfect for this film. While the film begins with a caution that the visuals used are a bit disturbing, but Jaoquin reminds us that we should not deny with our eyes what they must endure with their bodies. A must see for everyone on Earth.
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Grounding & Centering For Activists
Starhawk | Starhawk.org
(10-15 minutes)
In an action, in any potentially tense of dangerous situation, we need to be able to stay calm, to feel our fear without letting it overrun us or turn into panic. Grounding is a technique that can help us stay both alert and relaxed when all hell is breaking loose around us.
Grounding begins with the breath. Try this: clench your stomach, tighten your muscles, breath up high in your chest. How do you begin to feel? (People often say, “anxious,” “Tense,” “Panicky.”)
Now relax your stomach, let your breath drop down into your belly, into your toes as your belly expands. Do you start to feel different? For some of you, this might be hard to do. At first it might seem unnatural. Put your hand on your belly, breathe so that your belly pushes your hand out. Practice this, sometimes you need time before you can do it easily and naturally.
Now close your eyes for a moment. Imagine that breath pushing down through your feet, through the base of your spine, as if you were a tree pushing down roots. Let those roots go down through the floor, through the soil below us. Imagine they can feel something of the quality of that earth, what it likes to grow, how healthy it is. Push down through the waters under the earth, down through the bedrock, down into the fire below us. If there’s still any tension or fear, let that go into the fire and just burn away into pure energy.
Now imagine you can draw some of that fire up. Feel it as the earth’s living, creative energy, and bring it up through the rock and the water and the soil. Bring it up into your legs and feet and the base of your spine. Bring it up your spine and let your spine grow like a flexible tree trunk, reaching up to the sky. Bring some fire into your heart, into any place inside you that needs healing or extra energy.
Bring that energy up through your arms and out your hands, and up through your neck and throat and out the top of your head like branches that reach up to the sky and then spread around you and reach back down to touch the earth. They create a protective filter around you. Take a moment, look at that energy web, notice if there’s any places that need to be repaired or strengthened. And notice how the energy in this room feels when we all do this.
Now feel the energy of the sun, shining down on your leaves and branches. Breathe deep, draw that energy in. Breathe it down through your leaves and branches, down through your heart and your belly and your hands. Take it in, feed on it like a tree feeds on sunlight.
Now open your eyes. Look around you, notice how other people look to you when you’re grounded. Notice what’s changed.
When you’re grounded, when your energy is linked to the earth energy, you can still move. Imagine your feet have sticky roots, that can sink into the earth and then release when you move. Walk around a little, really feeling your contact with the earth, feeling those roots grip and release.
Now as you move, stretch your arms out to your sides, as far as they’ll go, until you can’t see your hands if you look straight ahead. Now wiggle your thumbs, and slowly bring your arms in until your thumbs are just visible on the edge of your peripheral vision. Notice how wide your field of vision can be. As you walk, breathing deep, grounded, activate that peripheral vision. Know that you can be aware of what’s going on around you.
And now notice whether you are making eye contact with the people you pass. Keep breathing, stay grounded, keep your awareness wide, but now also make eye contact with each person you pass. How does it feel to be this present in a situation?
Now come back to stillness. As you breathe, feel where it is in your body this grounded place seems to live, and touch that place. Can you find an image for this grounded state? A word or phrase you can say? When you use these three together, touch, image, and phrase, you create an anchor to help you ground quickly in any situation. Try it — use it.
Now relax. How did that go for you all? What did you notice?
Remember, the more you practice grounding, the more automatic it becomes. If you take even a few mintes a day to practice, you’ll not only have better energy in your daily life, you’ll be able to ground quickly and instantly when you’re in a tense situation.
Grounding Practice Two
(5-10 minutes)
After teaching grounding, divide the group into two. They stand on opposite sides of the room. The first group is told that they will be a loud, screaming, charging group of riot cops, marching across the room. The second group is told to use their grounding anchors and walk through the line of cops. Give a clear start signal. After the first pass through, you can debrief and then reverse roles, or do both turns and then debrief the whole group.
After you’ve taught this to the group, it’s good to give them a chance to practice it in hassle lines or a role play.
‘Strongest Man’ Eats Plants, Loves Animals
Michelle Sherrow | PETA
He can raise a car clear off the ground, toss huge logs through the air, and lift monster dumbbells. And he hates cruelty to animals. Patrik Baboumian, holder of the “Strongest Man of Germany” title [as well as European Champion in Raw-Powerlifting, and holder of the world-record in front hold and keg-lifting], is a plant-eater!
Like many professional athletes and champion fighters, Patrik recognizes that a healthy plant-based diet gives him the protein and nutrients he needs to build muscle and strengthen his immune system, without clogging his arteries with saturated fat. Patrik also knows that only cowards hurt animals and that one of the most macho things a guy can do is to stop eating foods that cause animals immense suffering.
Patrik stands up for what he believes in—on the homepage of his website, right next to his motto, “Born to Be Badass,” there’s a PETA Germany video. If this lean, green, weight-lifting machine told me to go vegan and save animal lives, I believe I’d listen to him.
Smashing Pumpkins Violinist and Composer, Ysanne Donating Proceeds from the Mermaid Song Project to Sea Shepherd
Sea Shepherd | Sea Shepherd
Composer and violinist, Ysanne best known for her work with rock band Smashing Pumpkins will launch her audio-visual masterpiece, The Coldwater Project with the debut of The Mermaid Song on May 13, 2013. Known for her work with the Smashing Pumpkins, as well as original film and television music, Ysanne’s The Mermaid Song will feature two accompanying short films consisting of a ten minute live-action film and a lyrical video that will be available exclusively in the digital-bundling package. All proceeds will benefit Sea Shepherd.
The Mermaid Song features the Prague Philharmonic Orchestra, a 44-piece symphony orchestra, conducted by Ysanne, in Prague. Ysanne composed the song, arranged the strings, recorded the vocals, and also directed and starred in the films.
Shot in the Art Deco apartment of painter Gail Potocki in Chicago, that once housed legendary stars Gloria Swanson and Groucho Marx, the film is a sumptuously luxuriant cinematic feast for the eyes. Drenched in nostalgia, opulence, and fine craftsmanship, the film was shot almost entirely in one seamless take and showcases the extraordinary jewelry of Russell Lownsbrough alongside the exquisite paintings of Gail Potocki, who also appears in the film. Ysanne wears couture by Alexander McQueen and Terry de Havilland.
More about the Coldwater Project:
The Coldwater Project consists of thirteen songs, each presented with a beautiful film, and each partnered with a nonprofit and a brand, with all of the purchase proceeds being donated to the nonprofit. The Mermaid Song is the first release from The Coldwater Project. It is partnered with Sea Shepherd and LUSH Cosmetics as part of Ysanne’s innovative, compassionate campaign.
LUSH Cosmetics has created a mermaid-shaped bath bomb inspired by The Mermaid Song. The Mermaid Bath is handmade from fresh, natural ingredients, including wild seaweed, sea salt, and essential oils. All of the money from sales of the product will be generously donated to Sea Shepherd.
For updates visit ilovestrings.com & seashepherd.org
SeaWorld’s ‘humane’ regime turned captive whale Tilikum into killer, claims documentary
Paul Harris | The Guardian
A documentary examining the treatment of killer whales in captivity claims that the giant mammals that have delighted generations of children are being deeply traumatised by their conditions.
The movie, which is called Blackfish and will be released in July in the UK and the United States, focuses on an animal called Tilikum who has been involved in the death of three humans, including the killing of trainer Dawn Brancheau in 2010.
Tilikum, who was born in the wild and caught off Iceland in 1983, is still a main attraction at SeaWorld in Orlando, Florida. He performs regularly in front of crowds, though his direct interaction with trainers is strictly controlled.
The movie argues that Tilikum – whose name means “friend” in the Native American Chinook language – has been mentally scarred by his experience of being captured while young and then subjected to rough training techniques in confined spaces. He was also bullied by other whales that he shared a tank with. The result, Blackfish suggests, is not the frolicking, happy, tame beast that SeaWorld presents to thrill millions of visitors each year, but an aggressive animal who is a danger to his trainers.
The film details the first death – in 1991 of young trainer Keltie Byrne in the now closed Canadian park Sealand of the Pacific – and then a second incident in 1999, in which a man who stayed behind at SeaWorld after it shut ended up dead in Tilikum’s tank after apparently sneaking into the water with him.
Finally, it examines Brancheau’s death, which played out in front of a crowd, many of whom did not fully understand what was going on as the experienced trainer was dragged under water and flung around the tank. Brancheau had been one of the best-known handlers at SeaWorld and was used in advertising posters for the theme park.
The movie, made by relatively inexperienced film-maker Gabriela Cowperthwaite, has already won rave reviews and prompted a surge of criticism of SeaWorld. “There are probably no words to assuage this damning indictment of the theme park’s role in the death of a whale trainer at SeaWorld Orlando, nor to convince anyone of the humaneness of keeping wild animals in captivity for human entertainment,” wrote film critic Carrie Seidman in Florida’s Sarasota Herald-Tribune.
Justin Chang, a reviewer for the film industry bible, Variety magazine, called the film a “compelling psychological profile” of Tilikum. “The impression the film leaves is of a deep-pocketed institution that, for all its claims of humane and professional treatment, tolerates practices that are fundamentally at odds with the animals’ wellbeing and refuses to accept any portion of responsibility,” Chang wrote.
Cowperthwaite interviewed former staff members at SeaWorld who expressed concerns and doubts about the concept of keeping the animals in captivity. The movie also uses disturbing footage of other incidents and “near misses” where killer whales have threatened or injured trainers. Many of those clips were filmed as “home videos” by park employees and Cowperthwaite was only able to obtain them because the government sued SeaWorld following Brancheau’s death and they became accessible to the public.
The director also worked closely with writer Tim Zimmermann, who in 2010 published an acclaimed article on Tilikum called “The killer in the pool” in Outside, an American lifestyle magazine. Zimmermann also speculated that captivity lay at the heart of why Tilikum ended up a killer. “Tilikum, before 26 years in marine parks … once knew what it was like to swim the ocean alongside his mother and family. And perhaps, just perhaps, that also explains why Dawn Brancheau died,” he wrote.
No one from SeaWorld responded to a request for comment from the Observer. Nor did the park provide anyone to appear on film in Cowperthwaite’s documentary. But SeaWorld has previously denied any examples of wrongdoing. In a statement the firm has said that many of the allegations in the movie are “unfounded”. It added: “The film fails to make the most important point about SeaWorld – the company is dedicated in every respect to the safety of our staff and the welfare of our animals.”
The film’s release comes at a sensitive moment for the theme park operator. SeaWorld is currently planning on floating on the New York Stock Exchange later this year in a move that will value the firm at around $2.5bn.
The giant corporation owns 11 theme parks and earned some $1.4bn in revenue last year from 24 million visitors. With such a major corporate development on the horizon – and with its killer whale attractions being so core to its identity – the company will be keen to avoid any bad publicity.





![‘Strongest Man’ Eats Plants, Loves Animals Michelle Sherrow | PETAHe can raise a car clear off the ground, toss huge logs through the air, and lift monster dumbbells. And he hates cruelty to animals. Patrik Baboumian, holder of the “Strongest Man of Germany” title [as well as European Champion in Raw-Powerlifting, and holder of the world-record in front hold and keg-lifting], is a plant-eater!
Like many professional athletes and champion fighters, Patrik recognizes that a healthy plant-based diet gives him the protein and nutrients he needs to build muscle and strengthen his immune system, without clogging his arteries with saturated fat. Patrik also knows that only cowards hurt animals and that one of the most macho things a guy can do is to stop eating foods that cause animals immense suffering.
Patrik stands up for what he believes in—on the homepage of his website, right next to his motto, “Born to Be Badass,” there’s a PETA Germany video. If this lean, green, weight-lifting machine told me to go vegan and save animal lives, I believe I’d listen to him.](http://25.media.tumblr.com/12e1401044581d5c2249549525d112af/tumblr_ml86gnh47v1rn2lrdo1_500.jpg)








